
Interview with Charlotte Carroll Author of
Sylvia’s Secret
by Jenn Hart for Writers Gone Wild
Yes, it’s that time of year again. Jenn’s run out of pointless quizzes, books to promote and for the most part anything interesting to say. Luckily, I make a habit of surrounding myself with interesting people to help me bridge these gaps with awesome-sauce. Today’s guest author is a member of my local Romance Writers chapter and a fellow indie author. Welcome Charlotte Carroll. (Love the alliteration;-)
Thank you so much for the kudos! It took me ages to hit on that name. I kept going through names and saying, what about that one? No, Nora Roberts is taken. (Well, what about spelled with an H? Norah. Norah Roberts) Of course, after I took that name, I was reminded that one of my writing friends took the name Sydney Carroll. So after much discussion about our relation, I think we have decided that we are distant cousins, although we might revisit that depending on what kind of soap opera we want to create.
Tell us about your decision to go indie. What factors led you to your decision? What has your experience been like so far?
I wrote Sylvia’s Secret because I wanted to try my hand at something new. I had been published under a different name and in a different genre. I really didn’t plan to take it forward. But my writing partner convinced me to get it out there, just to see how people responded to it.
So far, it’s been quiet, but that’s mostly based on the fact that this is the first publicity I have essentially done for it ever. I know, I know.
I read and really enjoyed Sylvia’s Secret. At the outset of the book the heroine, Sylvia Sweet is going through a rough patch in her life (mistress of the understatement, spinning her web here.) What would you say compelled you to write Sylvia’s story?
I think because at the start, especially, Sylvia has some moral ambiguities. I think that a lot of writers who are afraid of controversy want to create these heroines who are a bit too pure, a bit too good. Or in a desire to make their women seem feisty, they create a heroine who is really over-the-top aggressive, flying off the handle when they don’t need to. At the opening of the story, Sylvia, however, Sylvia has just discovered that she has been the “other woman.” It’s a really bitter pill for her, because it means that her entire sense of herself as a good person just got a kick square in the teeth
I think that part of the attraction for me was the fact that Sylvia is faced with a series of choices about what she wants to be. She’s only human, so of course that she will have to confront the dark side. I liked that she has to struggle against that. I liked the moral dilemma that she had to face.
The hero of your piece, Caleb, is far from the typical small town good ol’boy Southern sheriff. From a well-to-do family, he served in the Army for several years. We love our military heroes here at WGW. Do you have any personal experience with the military?
Of course. The South is, I think, the most pro-military part of the country. It’s not because Southerners are more militaristic, but because for generations the opportunities for men to get ahead have not been there except for the military.
Before I found the right title, the working title for this was simply Sylvia and Caleb. It’s about both of them. They both start the story with some ways to go before they are completely okay again. Caleb’s family would likely be described as old money. That’s something that Sylvia is not. And to an extent, neither is Caleb. The glory days are not there anymore.
Sylvia’s Secret is about more than just Sylvia and Caleb getting to know one another. Tell us, without giving away too much of the story, about some of the other secrets hidden under the quaint Southern small town veneer.
That’s tough, because I sort of paced the secrets so that they sort of unwound slowly. Of course, in a small town, secrets are a precious commodity. And Sylvia and her family have not really cornered the market there. Caleb has a few skeletons in his closet, too.
The setting is really distinctive. What made you pick a small Southern town as your setting?
Mostly because it was something I don’t see very often. For a lot of romance writers, the South begins and ends with Texas. And to be honest with you, I don’t see it. It’s too hot, it’s creepy flat, and you can catch leprosy from an armadillo and die. How is this romantic?
The South is a culturally distinctive area with a complex history. In some ways, it’s very much part of the modern world. In other ways, it’s still 1955 there. There’s a scene in the beginning of the book where she finds out that she’s expecting, and this doctor is giving her advice about how to break the news, recalling with nostalgia how his own wife did it. When one of my friends, who is not a Southerner, read it, she was appalled. Who does this man think he is? Why is he speaking so personally to her? But I think every Southerner knows exactly who this guy is. He is merely a preview of exactly what she’s getting herself into.
What’s next for you? Another contemporary romance or something different? Will you continue to indie publish?
Well, at the moment, I am working on rewrites of a modern retelling of Pride and Prejudice, called, tentatively, The Pitts of Port Elizabeth. And I think that I will continue to indie publish. If I do, you’ll be the first to know. Wait. The second to know. It would be a touch awkward if you knew before I did.
Wild Card Question: On top or on the side?
It depends on whether or not I’m counting calories.
Oh, who the Hell am I kidding. Pour it on.
My kinda author ;-) To contact Charlotte Carroll you can email her at writercharlottecarroll@gmail.com
Happy reading!